The key to making a good mask is finding contrast and knowing how to pull it out. You can also use the menu, go to ‘Layer – Layer Mask – Reveal All’ to make a white layer mask. From here it becomes a factor of how much time you want to spend refining your result. While the first few videos will be review, the class escalates and I'm sure you'll learn a few tricks you never knew were out there. So, making sure the mask thumbnail is still selected over in the Layers panel, I can head up to the Image > Adjustments > Invert menu item and click. Shift-click the layer mask thumbnail in the Layers panel. Darken the shadows and the midtones so that there is a crazy amount of contrast like in the image below. A border appears around the thumbnail. Also be sure to share any unique masking techniques or tricks you might have! You’re then free to add black, white, or any shade of gray with the tool of your choice. If we apply this mask to a layer, this is the result: Clipping masks are very similar to layer masks only they use one layer to determine the transparency of another. Layer Masks are one of the most important Tools in Photoshop. Once the image is on Layer 0, create a new layer, Layer 1. To choose a new mask color, in the Layer Mask Display As you lower the density, more of the area under the mask becomes visible. Alt-click (Win) or Option-click (Mac) the layer mask thumbnail to view only the grayscale mask. This class starts with exactly this question. I set the Dodge Tool to target the highlights and the Burn Tool to target the shadows, grab a medium size soft brush and make my way around the edges of the image, burning shadows and dodging highlights until I like the level of detail that I’m seeing. Download here >> 4 Hand Painted Plants and Flowers Sample Overlays . Clicking on this option will convert any layer into a clipping mask for the layer placed under it. containing the mask you want to edit. Layer Masks, like many parts of Photoshop, are rarely used because they aren’t intuitive or immediately easy to grasp. Just remember … As you can see in the image below, with just a little painting, our fire is now much more centralized to the portion of the image that’s already lit up and therefore looks decently natural. First, unlock the Background layer. To get your layer mask work going, you need to create a new canvas to work on. It turns out one of the best ways to handle this task is to use a couple of unlikely candidates: the Dodge and Burn Tools. Notice that, at this point, the wood is the bottom layer and the text is the top layer. Make Create a layer mask. To create a mask that hides the entire layer, Alt-click (Win) or Option-click (Mac) the Add Layer Mask button, or choose Layer > Layer Mask > Hide All. Photo Credits: Adrian Durlea, Erik Soderstrom, and Sergiu Bacioiu. With blank layer mask visible in image area, paste the content which is copied Layer mask … Hit the layer mask button. Also, you can apply layer effects to the compilation via the bottom layer. Next step is to show newly created blank Layer mask in main image area by Alt + clicking on it. A clipping mask is created in Photoshop when you use the content of one layer to mask the layers above it. Select the area in the image, and do one of the following: Choose Layer > Layer Mask > From Photoshop layer masks control the transparency of the layer they are “worn” by. The icon is of a square with a circle in the middle. The changes that you make by deleting portions of a layer are permanent and can’t exactly be tweaked later. To bring it back, we simply paint white. The mask keeps everything looking nice and cloning replaces unnatural colors with those from the actual fur of the cat in other places. 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